• Console Studer 1500 12F On Air Broadcast

    • 6-channel 6-channel console with Studer NANO SCORE DSP and I/O engine, 100 mm faders
    • Additional 6-fader expansion module, 100 mm fader
    • Super slim design for ergonomic tabletop installation
    • Built-in and 19″ rack-mount options available
    • Full channel processing, including four-band EQ, compressor, limiter, expander, gate and de-esser
    • Full monitoring and talkback with unique headphone split mode and internal speaker
    • OLEDs (organic LEDs) in the fader strips and center module provide clearer displays.
    • Ergonomic and easy-to-learn Touch ‘n’ Action™ user interface.
    • USB jingle playback and bus recording functions.
    • I/O expansion via standard Studer D21m card slot
    • Full integration with radio automation systems, Studer’s call management system and RELINK our I / O sharing technology
    • Advanced timer functionality
    • USB user identifier for easy assignment of user rights
    • Standard I / O:
    •  Inputs: 16 Mic / Line, 4 stereo AES (with SRC), D21m card slot, USB
    •  Outputs: 16 Line Out, 4 stereo AES, D21m card slot, USB
    •  Control: 8 x GPI, 8 x GPO, Ethernet
    •  Buses: 1 stereo PGM, 1 stereo RECORD, 1 stereo PFL, 4 buses N-1 (AUX), 1 Audition, CR and ST monitoring (stereo)
  • Console Studer 1500 6F On Air Broadcast

    The OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production.

    It’s ideal for studios needing an additional professional grade fader unit and additional I/O or a compact and cost effective mixing console for a production room or studio.

    Integrated USB playback and record functions make the OnAir 1500 a very compact yet complete mixer.

     

    • 12-channel, 6-fader console with Studer NANO SCORE DSP and I/O Engine, 100 mm faders
    • 6-fader add-on expansion module, 100mm faders
    • Super slim design for ergonomic table top installation
    • Flush-mount and 19″ rack-mount options available
    • Full channel processing, including four-band EQ, compressor, limiter, expander, gate and de-esser
    • Comprehensive monitoring and talkback with unique headphone split mode and internal speaker
    • OLEDs (Organic LED) in fader strips and central module provide clearest displays.
    • Ergonomic, easy-to-learn Touch ‘n’ Action™ user interface.
    • USB jingle playback and bus recording facilities
    • I/O Expansion through standard Studer D21m card slots
    • Complete integration with Radio Automation Systems, Studer’s Call Management System, and RELINK our I/O sharing technology
    • Advanced timer functionality
    • USB user identifier for easy user rights assignment
    • Standard I/O:
    • – Inputs: 16 Mic/Line, 4 stereo AES (with SRC), D21m card slot, USB
    • – Outputs: 16 Line Out, 4 stereo AES, D21m card slot, USB
    • – Control: 8 x GPI, 8 x GPO, Ethernet
    • – Busses: 1 stereo PGM, 1 stereo RECORD, 1 stereo PFL, 4 N–1 busses (AUX), 1 Audition, CR and ST monitoring (stereo)

     

  • Console WHEATSTONE AUDIOARTS AIR-1 Broadcast On Air

    Conserve studio space, not studio capability. The AIR-1 is our most capable standalone console in a compact footprint yet. It fits anywhere your laptop computer does for on-air, production, podcasting or remotes. The Audioarts AIR-1’s proven design has become the number one choice for small studios and production rooms due to its compact footprint, professional features, and attractive price. Now, with a USB interface, this same small console is able to send and receive audio from devices such as digital audio workstations, playout systems, and automation systems.

    The AIR-1 is ideal for remotes, small on-air studios, web streaming, production, or any situation where a compact, low-cost, highly capable radio console is needed.

  • Console WHEATSTONE AUDIOARTS AIR-4 Broadcast On Air

    The AIR-4 is based on a simple premise: low cost need not be synonymous with low quality. The AIR-4 has four built-in microphone preamplifiers. This allows the use of one host and three guest microphones with the AIR-4 without the use of external mic preamps. It offers 12 input faders (w/A-B source select), a 13th fader for calls, external machine control, two program buses, built-in cue speaker and CR, headphones and studio monitoring control. Add patchable USB connectivity for PC news, production workstations or audio streaming, and the Audioarts AIR-4 is perfect for local radio stations and Internet broadcasters.

     

    Other Features also

    • 12 stereo input fader channels, each with A and B inputs and remote START logic
    • 13th phone caller fader with talkback and auto mix-minus to caller
    • Four high performance mic preamps with variable gain trims to precisely match your microphones; preamp outputs jumper to any input fader’s A or B input
    • Two program busses with balanced outputs (switchable stereo or mono mode)
    • External input feeds the monitor section (for live air or pre-delay air monitoring)
    • CR room monitor switchable PGM 1, PGM 2 or external; can mute when CR mic is live
    • Split cue — when any fader is in CUE, sends cue audio to left channel and L+R sum of selected monitor source to right channel (switchable separately for CR and headphone)On-air light — front panel LED between the meters, and a low current closure output to drive an external ON AIR light relay.
    • Studio output with independent source selection and CR-to-studio talkback button
    • Plug in faders and conductive plastic monitor pots for easy replacement
    • USB connection that is patchable to any of your input faders and internally dipswitchable to pick up program 1 or program 2 output mixes. Lets the AIR-4 interface with your desktop computer for news, music sweetening functions or to stream audio mixes from and to the console.
    • Built-in cue speaker can automatically interrupt your main stereo monitors
  • Console WHEATSTONE AUDIOARTS AIR-5 Broadcast On Air

    AIR-5 builds on the AIR series by Audioarts with USB input/output connectivity.

    Play audio directly from the PC or output audio to PC recording software as well as play cuts from MP3 players.

    The AIR-5 has four microphone preamps built in, which allows the use of a host microphone and three guest microphones without the use of any external mic preamps. It gives you 16 input faders, plus auto mix-minus for call-ins, two program busses, built-in CUE speaker and CR, and headphone and studio monitoring control.

     

  • Console WHEATSTONE AUDIOARTS AIR-8 Broadcast On Air

    In one compact frame, the Audioarts 08 covers all the basics with a single stereo mixing bus (balanced or unbalanced output); two mic inputs (one for guest, and one for host); USB input to play in audio from a PC; USB output to record directly to PC recording software; mix-minus telephone output for interfacing to a telephone hybrid; monitor, headphone and cue for off-air monitoring; speaker mute for muting monitor speakers when the mic is on (eliminating the possibility of feedback); and unbalanced or balanced inputs/outputs for interface with consumer or professional grade equipment.

     

    • 8-channel frame
    • Stereo mixing bus, balanced or unbalanced
    • Compact, tabletop mount
    • Long-throw faders on inputs and monitors
    • Dual, super-quiet, high-performance microphone preamps
    • LED illumination on all switches
    • Headphone jack with built-in amplifier (with +20dB output)
    • USB – bidirectional audio port for convenient interfacing to computers and automation systems
  • Console WHEATSTONE LIGHTNING Broadcast On Air

    • Console available in 12- or 16-channel desktop configurations and has a modular design with four-channel input panels, and a Master/Monitor panel with linear faders for headphone and control room level control. All faders are made of conductive plastic and all switches are LED illuminated. Input channels have A/B source selection, with balanced input for source A and three-phase input from -10 to +4 lines on B. Standard features include four stereo program buses, two automix-minus for calls, four microphone preamplifiers with variable gain adjustment, and switchable +48V phantom power.
    • Mainframes can be loaded with 12 or 16 inputs and always include two phone channels for trouble-free remotes and call-ins.
    • Two USB inputs/outputs
    • Bluetooth connectivity
    • AES input for connecting a digital source to any fader
    • Three VU meter pairs—PGM 1 and 2 plus SWITCHED
    • Four stereo program busses with balanced outputs (switchable stereo or mono mode)
    • Four high performance mic preamps with +48V phantom power and variable gain trims to precisely match your microphones (with the option to add additional four-preamp modules)
    • Electronic switching
    • LED illumination
    • Compact tabletop-mount frame
    • Built-in cue speaker can automatically interrupt your main stereo monitors
    • Split cue
    • Headphone jack with built-in amplifier
    • Built-in A/D conversion for digital or analog program out
    • Two external inputs feed the monitor section (for live or pre-delay air monitoring)
    • RJ-45 connectors for low-cost wiring
    • Balanced or unbalanced inputs/outputs for consumer or professional grade equipment
  • Console Yamaha MG16XU On Air Broadcast

    For more precise control and to enhance your sound, the XU models of the MG series are provided by a series of renowned Yamaha SPX effects.

    Characterized by high resolution Chorus, Flanger, Distortions, Reverb and Delay, all with modifiable parameters, they are the same multi-effects processors managed on the high-end Yamaha mixing consoles, and the tools are the tools necessary to elevate your comments to a higher level.

  • Console Yamaha MG16XU On Air Broadcast

     

     

     

     

     

     

     

     

    For more precise control and to enhance your sound, the XU models of the MG series are provided by a series of renowned Yamaha SPX effects.

    Characterized by high resolution Chorus, Flanger, Distortions, Reverb and Delay, all with modifiable parameters, they are the same multi-effects processors managed on the high-end Yamaha mixing consoles, and the tools are the tools necessary to elevate your comments to a higher level.

    Other Features

    MG16XU 16-channel mixing console: 10 Mic / 16 Line inputs (8 mono + 4 stereo) / 4 GROUP Bus + 1 Stereo Bus / 4 AUX (incl. FX).

    • 10 microphone inputs (XLR / Jack) with Phantom + 48V power supply (channel 1-8 with built-in compressor)
    • 3-band equalizer with semi parametric
    • Thomann high pass filter and 26 dB pad switch
    • SPX effects processor with 24 programs
    • 4 stereo inputs (jack) with 3-band equalizer
    • XLR-Output
    • 2 group BUS outputs
    • 4 AUX-Way on each channel
    • USB with 2 stereo inputs / outputs (compatible with iPad version 2 or later, camera connection kit required)
    • Dimensions: 444 x 130 x 500mm
    • Weight: 6.8 kg
    • Includes Thomann rack mount kit and Cubase AI DAW software as a download
    • Suitable case optional: 337878
  • CORTEX 1 kW – BROADCAST FM TRANSMITTER

    CORTEX Series

    Professional MPX FM Transmitter Occupancy only 3 rack unit

    Analogue Frequency Modulation from 87.5 MHz to 108.0 MHz setting in 10 kHz step and a frequency stability better than 2 ppm. 

    Audio base band input and modulation mode selectable in: Stereo, MPX (Composite) or Mono.

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